Comrades XII: Leningrad Movie
Share
Soviet film directors have one advantage over Westerners: the state takes care of the budget. But in return, the state expects firm control over all productions. Dinara Asanova, one of the few female directors of Soviet features, knows how to bend the rules-departing from approved scripts and changing characters and locations, with controversial results.
Transcript
Credits
Journalistic Standards
Support provided by:
Learn More
Most Watched
The FRONTLINE Newsletter
Policies
Teacher Center
Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation
Koo and Patricia Yuen
FRONTLINE is a registered trademark of WGBH Educational Foundation. Web Site Copyright ©1995-2025 WGBH Educational Foundation. PBS is a 501(c)(3) not-for-profit organization.
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. FRONTLINE is a registered trademark of WGBH Educational Foundation. Web Site Copyright ©1995-2025 WGBH Educational Foundation. PBS is a 501(c)(3) not-for-profit organization.
